ISSUE № 

11

a literary journal in multiple timezones

Nov. 2024

ISSUE № 

11

a literary journal in multiple timezones

Nov. 2024

Evening Meal, Streambed, Bicycle

Consulate
Illustration by:

Evening Meal, Streambed, Bicycle

THE EVENING MEAL

My father rolled up our house and walked into the forest. When he arrived at the world’s edge, he turned, pulled up the road, cracked it once like a whip, and folded it into his suitcase. Then he turned and folded up the night.

“I’m going now,” he said, and left.

I pointed to where our house once was, to where the road once was. I pointed to where there once was night.

“We are inside a suitcase,” I said, “a vast suitcase surrounded by birds. The suitcase has neither up nor down, darkness nor night. The suitcase is neither going nor returning from a journey, and so contains neither sweaters, nor undergarments, nor time. Golden clasp light shines from every direction and so our shadows are made of light only; they cast themselves upon every surface. There is flight but no birds, song but no voice, and here in the endless day, we fold ourselves until we are but a single dimensionless point, neither matter nor energy, time nor sorrow, though inside our spaceless chests, we contain a tiny forest, a house, a road. We are a tiny family. We place our serviettes on our miniscule laps, some of us first wiping the corners of our mouths, and the evening meal begins.

STREAMBED

A cloudless day in the cemetery where we have gone for the funeral of an aunt. Our five-year-old, named after his late grandfather, wanders about the headstones, dragging his fingers along the streambeds of carved-out letters. He stumbles upon his own name inscribed above a small bed of grass. He lies down, crosses his arms, closes his eyes, and waits. In time, he becomes old. The wind carves his features smooth as river rock. Someone lifts him and places him on his grandfather’s headstone. We no longer remember the town where he was born.

BICYCLE

Somewhere in the world is the bicycle which I abandoned for a reason it did not understand then, and, leaning in the half-dark shed at the end of the garden, covered in cobwebs, still cannot quite fathom. Its small plaintive handlebars, slightly stooped, shrug resignedly, turned toward the bent-nail wall. Small wrinkles show the years of sadness felt by the forehead-sized seat, now twisted somewhat off-centre as it remembers the cheeks of my little apple-round boy bottom, the touch of my pale white hands. One day, we were chased by Lindsay Neville after escaping from his tree house; another, distracted by a shout, we rode full force into a hedge-covered wall. Together we rode into the wind and out of the neighbourhood after my grandfather’s funeral. Many times, we combed the twisting paths of the subdivision noting each tonal shift of street and crescent, of painted garage door and window trim, of cedar hedge, rock garden, and lamppost. One day, I leaned the bicycle against the side of the house and walked away. One day I’d become taller, older, and my father had promised me another.

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Gary Barwin
Gary Barwin is a poet, fiction writer, composer, multimedia artist, and performer. His music and writing have been published, performed and broadcast in Canada, the US, and elsewhere. His publications include poetry: Franzlations [the imaginary Kafka parables] (with Craig Conley & Hugh Thomas; New Star), The Obvious Flap (with Gregory Betts; BookThug), The Porcupinity of the Stars, Outside the Hat and Raising Eyebrows (Coach House), Servants of Dust (No Press), and frogments from the frag pool (with derek beaulieu; The Mercury Press); and fiction: Doctor Weep and other Strange Teeth, Big Red Baby, and The Mud Game (a novel with Stuart Ross) (The Mercury Press). O: eleven songs for chorus (poems and visuals by Gary Barwin, music by Dennis Bathory-Kitsz was published by Westleaf Edition in 2011. He was the co-winner of the 2010 bpNichol chapbook award for Inverting the Deer (serif of nottingham) and was a recipient of the KM Hunter Foundation Artist award. Barwin has performed in numerous festivals and readings series across Canada and internationally, including the International Festival of Authors (Toronto), The Ottawa International Writers Festival (Ottawa), the International Poetry Festival (Reykjavik) and the Canadian Embassy (Tokyo). Barwin is also the author of several books for kids, including Seeing Stars which was nominated for a CLA YA Book of the Year and an Arthur Ellis Award, and The Magic Mustache (Annick) which was listed as one of Macleans’ top ten reads of the season in Winter of 1999. Barwin received a PhD in Music Composition from SUNY at Buffalo. He lives in Hamilton, Ontario with his wife, and family and online at http://garybarwin.com . If you were the last word of this bio, you’d be home.