Joyland

New York |

Into the Valley

by Ruth Galm

edited by Emily Schultz

Excerpted from Into the Valley, available August 4th from Soho Press. Galm launches Into the Valley at Books Inc. in San Francisco on August 4. Purchase here.

i.

She took the forged check to the bank and cashed it. From there, she walked to the drugstore. She bought tampons and a candy bar (she did not in that moment think of what else she might need) and coiled the rest of the bills in a roll in her bra strap because it did not feel right to have them in her purse. It was a strange bulge at her shoulder, papery and hard, but the sheath was loose enough to hide it. She rode the bus over the hill to her apartment and waited at the corner for the landlady to leave for her daily groceries. It was a basement apartment with no direct light and a dank stone smell no matter what carpets and furniture and ceramic vases of lilies B. had tried to add to it. A small kitchenette had been built in the corner around a dump sink, and she had added a Formica table with two chairs, but the corner still radiated a metallic damp smell. There was a small room next to the bathroom that she’d planned to use as a study or a hobby room, but her only hobby was reading and it made the carsickness worse to read in that cramped space with no natural light, so she left it empty. She knew, in the end, none of it amounted to anything people wanted to hear about in conversation.

In a vinyl bag she gathered a few dresses, underwear, a nightgown, alongside her ostrich-skin purse. She went to her dresser and drew out the velvet box with the diamond brooch she had not touched in two years. When she had everything, she took the bus to a car lot on Van Ness. She had seen the Mustang for sale for months, glittering blue in the bright fog-bleached light, the elongated trunk like the snout of an alligator, she thought, and the body just as slinky and low to the ground. It was a V-8 engine, the salesman warned her. “You don’t know what kind of power an engine like that has. Out of nowhere, you’re flying.” He tried to sell her a Chevrolet, what he called a “more appropriate” car, or a Chrysler, a car “more for someone your type,” but she excused herself to the ladies’ room and extracted the exact amount for the Mustang from the largest bills in the bra strap.

She got behind the wheel and backed out self-consciously as the salesman watched. The steering wheel was large in front of her, hard thin metal and tight plastic coating. The engine jumped at a touch to the gas. As she made her way carefully out of the car lot onto Van Ness, she did not even think of it as leaving, only “going away.” She drove through the city and east across the bridge and wanted simply to put the relentless appeal of the water behind her. The freeway skirted green piney hills dotted with cottages. She imagined them filled one by one with women, mothers and housewives, and she wondered very genuinely how they filled their days, whether they arranged to come down and buy vegetables and attend luncheons or preferred to stay in the cottages as long as they could. She switched on the radio. A song was playing that had played at her first high school dance, and she remembered the peach satin dress and the perfume her mother dabbed at her wrists and the Brylcreemed boy, and for a moment she was taken with the same abstract hopefulness she’d had that night. That something she’d been waiting for would arrive and overtake her. But when the song ended, a commercial jangled on and she found only rock and roll on the next two stations, until finally she flicked the radio off and listened instead to the asphalt breaks beneath her.

She left the green mountains and followed the freeway along the bay, the water seeming never to recede, snaking ever inland. Finally she came to another, smaller bridge and there was no water after that. She felt an inexplicable relief. There were a few houses on the side of the freeway and a roadside nightclub with unlit neon palm trees on its roof, and then suddenly she was in the “golden” hills. They were a sere, sad blond. As the Mustang took the grade through the treeless, waterless land, she did not think of the money at her shoulder or the possessions she’d left behind or her secretarial job at the law firm to which she would not return. When she reached the top of the hill, she took her foot off the gas and coasted downward to the flat valley below and thought of nothing.

ii .

The teller had asked her, glancing at the ostrich-skin purse, if she liked the new tapestry handbags. “They’re like something out of Mary Poppins,” B. had said. The teller nodded in agreement. She had beautifully applied shimmer eye shadow. She counted the bills out sharply and brushed back a lock of washed-and-set hair. The first bank B. would never forget because of these details and because of the first flush of expansive coolness. The lines and the marble and the calm suffusing her. She had smiled at the soignée teller and breathed without spinning and pocketed three thousand stolen dollars.

iii.

“Did you like the new salon? Do you have a date this week?”

Her last conversation with her mother had been exactly like the others.

“I’ve decided, by the way, that I really prefer the pearlescents for manicures.”

Underneath, the carsickness had drummed as though to seam apart her skull. She answered the questions by rote, and through the drumming an indistinct thought pulsed, as blurred and throbbing as the pain: There must be another conversation they were meant to have. Some other point to which they could apply their exchange.

“Are you not feeling well?” her mother asked.

“No.”

“Be sure to take some air. It’ll brighten your skin.”

And with that, B. had hung up the phone.

iv.

She rolled down her window. Heat blasted her cheek. She exited the freeway and took a road next to some railroad tracks, rusted boxcars abandoned in a long chain.

The wind whipped through the interior, smelling of vinyl and exhaust. She stepped on the gas.

The irony was that she felt the carsickness less in the car. The irony was that the carsickness had nothing to do with actually being in one.

She drove past a lone barn newly painted white and a couple of one- and two-room shacks next to the road, canted picket fences lost in tall grass, dirty old trucks in the driveways. She passed the brown skeleton of a structure, not burned but somehow bared to its dark wooden bones, ringed by NO TRESPASSING signs on trees all around. It looked to her in its openness like an ancient place of worship, and she felt a brief urge to stop and sit inside its timbers, but she drove on. A sign read 60 MILES TO SACRAMENTO.

She could go see the capitol. She knew dimly that she would not. She knew dimly that she would never go near another city again.

v.

The valley was because of the man on the bus. She tried always to smile at people in public as her mother had taught her, to look polite and receptive, and they mistook this for an invitation to unburden themselves, when in fact she did not really even want to talk. When he found out she was from the East, the man told her about the long table of land just beyond the mountains and bay. “Nothing happens there. Not one thing.” That’s why, he explained, the easterners never even knew about it. “No pretty scenes, no trees. Just flat. I won’t go back in a million years.” She could see in the man’s features—he was young with large pores glazed in oil and jagged purple veins on his eyelids—something strained and unbalanced. His eyes blazed. He began to mumble. “But I’m safe here, I really am.” B. listened politely for a few more seconds, then got off the bus two stops before her own.

And yet, since the encounter, her thoughts had often drifted to this valley. She imagined that in this long unvarying plane, all the contradictions of the city might fall away. That its bareness would reveal something, provide an answer she had failed to acquire. A place of unvarnished truth to which she must go.

Because it was no longer just the dirty young people in the city who disturbed her. In the restroom at I. Magnin recently, she’d encountered a mother and her teenage daughter. The girl with clear breasts and long legs, as tall as the woman. But the daughter was trying to pull her skirt off. “I’m not sure I want to be wearing it all day,” she said. “What if I get cold? What will I do?” The mother hushing and soothing her, keeping the girl’s hands from the skirt while the girl shuddered. B. washed herself quickly, but the mother looked straight at her, voice harried: “She’s only ten. She looks older, but she’s only ten.” B. had nodded and run out.

vi.

What she had not thought through were the logistics. She had not considered how in this tabula rasa she would find the banks. This new state of affairs, this new exigency, she did not question. She only knew she would find them.

vii.

She had renamed herself “B.” after college. She thought that was the beginning of the problem: she’d never felt like a Beverly, never known what a Beverly should want to do. The singsong syllables and the lift at the end like a promise made without her agreement, disorienting her. So she’d erased it. People heard it as “Bea,” and that was fine with her. As long as she could think of herself as B., something opened up, went blank in a way she could tolerate.

For a time.

viii.

The paper sliding across marble. The tellers’ anodyne voices.

Later it was all spoiled. By the glint of the knife, the blood, the expression on Daughtry’s face as she drove away.

But by then it no longer mattered.

ix.

“Because you’re a good girl, they’ll like you. Because you look normal and you act normal and you’ve done up your hair and you’ve walked in the right way, with class, you’re gonna fool them blind.

“Because I’ve always told you: you’re a good, classy girl and that won’t ever change.”