ISSUE № 

04

a literary journal in multiple timezones

Apr. 2024

ISSUE № 

04

a literary journal in multiple timezones

Apr. 2024

Can’t Dance

The Northeast
Illustration by:

Can’t Dance

My mom took me to get a spray tan. She showed me how to step into the
stall. She told me to close my eyes. She said when the machine stopped
spraying, I had six seconds to turn around and then it would spray again. I
had to hold my hands out like a scarecrow, with my palms facing away from
the nozzles. She left and all I could think about was the gas chamber. I
thought the tanning booth was going to kill me. I was only doing it because
of show choir, where they made us wear red dresses with rhinestone straps.

My friend Liza made fun of me for joining choir. She came to the fall show
and said I danced two moves behind everyone else. “Their hands were down,”
she said, “and yours were up.” Liza was different from the other girls at
school. She drank black coffee in first hour and wore a Bob Dylan t-shirt
with moccasins and no socks.

I sat with the altos because they sang lower. Their singing was more like
talking and talking was the only thing I could do. The songbooks were open
in front of me but I never actually sang. I mouthed along.

The choir director Evelyn was famous around town because she was a
sixty-five year-old, khaki-pants-wearing lesbian who once threatened a girl
with her car. The girl was a choir student—a good one—and she had told
Evelyn she was going to quit to be Blanche DuBois in the school play.
Evelyn told her, and all subsequent classes, that it was a Streetcar Named
Bullshit and no drama geeks were going to steal her lead soprano. Later
that night, she followed the girl with her car. She pulled up behind her
and revved the engine. The girl said she knew it was Evelyn because she
could see her “bull-dykey” hair through the windshield. The girl stayed in
choir and never told the administration. No one ever told the
administration anything about what Evelyn did. She yelled and threw sheet
music and made rehearsals go until midnight, but she got her kids into
regionals twenty years in a row.

I walked into Liza’s house without knocking. She read about European
history while I talked about choir. “Evelyn doesn’t call on people,” I
said. “If someone tries to question her, she kicks them out.”

“She sounds crazy,” Liza said.

“She is,” I said, proud to be under a tyrannical woman’s wing. “She is
completely crazy.”

A few weeks later, Evelyn said she was splitting the freshmen choir in two.
One group would be coed and the other would be all-girls. Everyone had to
sing a song without accompaniment in front of Evelyn and the whole class
and then she would decide who would go where.

The pianist with diabetes who was Evelyn’s assistant gave me “But Not For
Me” by George and Ira Gershwin. Their names were at the top of the sheet
music and I thought I was doing something important by singing their song,
carrying on their legacy. But I couldn’t sing the song. My voice was flat
and I could never remember the lyrics.

My mom took me to get my nails done before the audition. I told her I
didn’t want a color but she said clear was a waste of money. “You should
get pink,” she said, holding up a bottle from the rack. “It blends with
your complexion.” The color was called “Mademoiselle.” The name was taped
to the bottom.

The diabetic pianist saved me because “But Not For Me” was a talking song.
I talk-sang it in front of everyone with the lyrics written on a notecard
in my pocket.

Evelyn posted the rosters on her soundproof door the next day. I got into
the all-girls choir and it was fine with me. I was just glad the audition
was over. The girls who had gone to Catholic middle school hugged and cried
in the hallway. They said the all-girls choir was the bad choir. The girls
who got into the coed choir also hugged and cried, for different reasons.

My mom took me to the salon to get my eyebrows waxed. She told the woman
they should be “thick but not bushy.” I kept touching them afterward
because the skin was puffy and I could still feel the gel. I told the
Catholic girls about it the next day. They said my eyebrows looked good.
One of them said she could only pluck her eyebrows because her mom wouldn’t
let her get them waxed. Another said she wanted to get them waxed but was
afraid. I told her not to be nervous. “It hurts for a second,” I said.
“Then it goes away.”

The Catholic girls wrapped my locker on my birthday. They did it for each
other and I was surprised when they did it for me. The paper on top said
“happy birthday” and they all signed their names using different colored
pens. Liza didn’t know it was my birthday because she didn’t use the
internet. I asked her when her birthday was, thinking maybe I could wrap
her locker, and she said “April but don’t tell anyone. I don’t want the
attention.” I went home and took my birthday off the internet.

One of the Catholic girls invited me over to her house. When I got there,
all the Catholic girls were sitting in a row on the couch and it was like
every single one of them lived there. We watched a movie about a woman who
thinks she doesn’t want to get married but in the end, marries her
handsome, male best friend. The Catholic girls sang along to the montages
and the mother who had been upstairs came down to take our picture for no
reason. We put our arms around each other and smiled with our teeth.

My mom curled my hair for the Christmas show. I stood in her bathroom and
faced the mirror. She stood behind me with her lips puckered like a little
girl, her eyes focused on the art project in front of her. “You start at
the top,” she said, “and work your way down.” She was halfway done when I
changed my mind. I told her I didn’t want to curl my hair anymore. It was
taking too long and my head was on fire. She was horrified. “You can’t stop
now,” she said. “You’ll look like a crazy person. Do you want to look like
a crazy person?”

Liza had French books in her room and a painting I couldn’t touch because
the paint was still wet. “It’s oil paint,” she said. “It takes forever to
dry.” There was nowhere to sit so we sat on her bed, which was really a
mattress on the floor. “Who is it?” I asked, looking at the old and
dignified woman in the painting. “I don’t know,” Liza said. “She just
popped into my head.”

“She’s beautiful,” I said.

The coed choir came back from a competition upstate and told everyone they
“got all ones.” I didn’t know what that meant but they were happy when they
said it. They were good looking and well groomed and many of them dated
each other.

The concert at the end of the year was going to be the biggest in choir
history. It was so big that it had to be at a different high school because
they had a better stage. There were four dress rehearsals leading up to the
show and Evelyn said it was important that everyone wear their makeup and
costumes. The rehearsals had to be like the real thing, she said, or else
the real thing would happen and no one would be ready.

I carpooled to the first rehearsal with the Catholic girls. It went until
eleven. The next was supposed to go even later. I didn’t want to go but I
didn’t have a choice. Everyone had to be there. The bald, gay choreographer
was driving in from two hours away. The jazz band was playing in the pit.
The volunteer moms were coming in to serve submarine sandwiches and cookies
during the dinner break.

I was supposed to carpool again with the Catholic girls but they left
without me. I called them and they didn’t pick up. I called again and they
picked up. “Sorry,” they said. “We thought you had a ride.”

My mom said she would drive me when she got home from work. I waited for
her at home and when she pulled up, I got into the car and told her I
didn’t want to go. I didn’t want to be in choir anymore. I couldn’t sing, I
couldn’t dance and I didn’t like the people. She stopped at a fast food
chain that sold donuts and soup in bread bowls. We ordered hot chocolate
and sat in a booth by the window.

“If you don’t want to go,” my mom said, “don’t go.”

I went into Evelyn’s office the next day during lunch to tell her I wanted
to quit. She was unpeeling a hard-boiled egg, letting the shells fall on
the sheet music that covered her desk. Her computer was on the floor,
unplugged. She looked at me like, ‘What do you want?’ My hands
were shaking.

“If it’s okay with you,” I said. “I think I want to quit.”

She dumped salt and pepper over the yolks and asked what I was going to do
instead. I told her I wanted to play a sport.

“Which sport?” she asked.

“Golf,” I said.

She leaned back and her chair squeaked.

“That’s great,” she said. “I love golf.”

The Catholic girls told me they missed me. Liza gave me her copy of The Plague by Camus. My mom asked if I wanted to get my nails done
and I said no. I joined the golf team in the fall and played for two years.
I wasn’t good at that either.

Edited by: Joyland Editors
Erica Peplin
Erica Peplin is a fiction writer and film critic from Grosse Pointe, Michigan. After receiving her B.A. in English Literature, she moved to New York and spent the next four years working in the advertising departments of CNN and The New York Times. In the spring of 2016, she quit her job and moved to Berlin to write full time. Her writing has appeared inMcSweeney’s, Cosmonauts Avenue, Shabby Doll House and The Brooklyn Rail. You can follow her @ericapeplin.