Charlotte Quinn is six the first time I see her, with fine yellow hair and a pink birthmark she’ll have on her cheek til she’s ten. She uses her mom’s phone to document the world from three-and-a-half feet: milkweeds in a post-industrial lot, colours in a pool of spilled diesel, a piece of foil glimmering on the sidewalk like a crushed Christmas bauble. Hers is a world of strange beauties.
At thirteen she dyes a purple streak in her hair, and overnight her body grows and curls in all the right places. I knew her mom at thirteen, before her family moved away, but Charlotte is nothing like her. Charlotte bites her nails down to the quick and they bleed, and she is failing math but doesn’t care. Charlotte is going to be a singer, a star. She loves cotton candy indie pop—Tea Breeze, the Gecko Lips, Creamgeek, the Duckies.