Mathew Timmons' works include The New Poetics (Les Figues Press, 2010), Sound Noise (Little Red Leaves, 2010), The Archanoids (a cd of solo and collaborative sound poetries, 2010), CREDIT (Blanc Press, 2009) and Lip Service (Slack Buddha Press, 2009); and forthcoming projects include Lip Service / Sound Noise / Basic Hearing from Jaded Ibis Press, Where is it Written? from Imipolex Press, and After Darío from Molo Press. His visual and performance work has been shown at François Ghebaly Gallery, (323) Projects, LACE, Museum of Contemporary Art Denver, CCA, Outpost for Contemporary Art, ArtSpeak Vancouver, LACMA, UCLA Hammer Museum, and as part of ArtLA. An active editor and curator, Mathew works as the General Director of General Projects, editor of Insert Press, Los Angeles editor of Joyland, Co-Host of LA-Lit 2005-2009, and has curated events, readings and ephemeral art shows for Hi-Lite, Beyond Baroque, Betalevel, workspace, and REDCAT. His writing may be found in various journals including P-Queue, Flim Forum, The Physical Poets, Out of Nothing, Mammut, Area Sneaks, Try, Or, Emohippus, Luvina, Aufgabe and The Encyclopedia Project; and his critical writing may be found in Artweek, Artillery, ArtSlant, The Magazine, The Poetry Project Newsletter, Molossus and X-TRA. He is currently accepting Los Angeles submissions. Email story as paste-in (no attachments) along with brief bio here.